
"Every moment is another chance"

| The well known fancy translation of CHI SAO is “sticking hands” or "sticking bridges". | |
| The direct translation of CHI (MANDARIN MEANING ‘AIR/SOUL’) – SAO (CANTONESE MEANING ‘HAND’) | |
| For full Cantonese pronunciation the CHI would be replaced with HEI i.e., HEI SAO. | |
| Chi
Sao is an advanced martial arts technique to develop close range
fighting skills, enhance eye focus and contact reflexes. Contact
reflexes can be 3 to 5 times quicker in response than eye reaction time.
Eye reflexes react in about 0.3 to 0.5 seconds and above. Contact
reflexes take between 0.15 and 0.3 seconds to react. Hence, we can see
the advantages from learning this unique skill. |
|
| Chi Sao teaches us to find openings by flowing with forward intention (chi or energy) through the point of contact, (when the arms from both participants touch), to find the path with the least resistance and not fight force against force through an opponent's guard along the centre line. At the point of contact an opponent's intended move is transmitted as a vibration and our response is a contact reflex action. Also, when someone blocks, the opponent's intention can be sensed through directional forces. Force can only travel in one direction, at any given time. At the point of contact, the force will remain stationary, (we deal with it), the force will push forward (we yield to it), or, off the centre line, (we go around it) or, the force retracts, (we follow or stick to it). | |
| For more information on our style of Chi Sao you can request the "Art of Chi Sao" document by emailing chisao@hullkungfu.co.uk | |
| DAN CHI SAO – Single sticking hands | |
|
Dan
Chi Sao is the first exercise you learn. The partners face each other in
the C Back position. You connect arms: one partner placing their left
Tan sao forward, and the other partner placing a right Fok sao on top of
the Fok sao arm. The
partner holding the Tan Sao position begins the exercise by rotating the
wrist to a palm forward position and then attacking with a palm strike.
The second partner responds with a Jum Sao, impeding the forward
movement of the strike. The second partner then attacks, punching over
the arm of the first partner. This will turn the first partner into Bong
Sao. Both partners then reset to the starting position. |
|
| CHI SAO – Sticking Hands | |
|
Start
with the PENG/HINGE stance in C Back position. Relax. Always stick to the Centre line. |
|
| Doors and Bridges | |
| Doors | |
|
To
strike an opponent pass through the door If
the door is closed then wait You
can knock on the door and hope it opens If
the keys are lost then remove the hinges If
a spring loaded door then hold it If
a revolving door then wait for the correct time to enter If
the door flies off its hinges then: As
he comes receive him As he leaves escort him |
|
|
Bridges |
|
|
If
there is a bridge in place then cross it If there is no bridge then build one |
|
| Mistakes encountered | |
|
Fighting
force with force Seek
the hands, not the opponent’s body Missing
opportunity Not
setting up a strike with another strike Being
sloppy with your strike Forcing
your strikes Not
relaxing Not
sinking Not
maintaining good structure Allowing the mind to freeze |
|
| Guidelines | |
| Your hands are only as good as your stance | |
|
Some
people cannot find their own centre of balance. Imagine a tree, how
strong would a tree be, if its roots were decaying? Obviously, it
wouldn't take that much force to knock it over. It
is the same with martial arts. If you have a good stance then it will be
harder to knock you over. There
are two ways to develop your stance. The
first being just sitting in your stance for about 45 minutes, if you can
last an entire 45 minutes without any aches or pains anywhere, then
you'll know you've found you centre. |
|
| I'm ready to fight? | |
| Don’t
turn Chi Sao into a battle. What is the difference between Chi Sao and
fighting? If you have a circular movement and force is pushed slightly
against it, if you remove the force, your hand will remain in the same
position and continue its circular movement. On the other hand, imagine
your hand as a spring, waiting for the pressure to be removed. Once the
pressure is no longer there, the hand will automatically move forward.
Thus, you won't even have to think when to attack |
|
| Equality for both sides | |
|
In
the beginning when doing chi sao, picture it as if you were doing push
ups against the wall. Notice in order to keep your body square you need
to push equally on both sides of your arms. Well, when you start doing
chi sao it’s sort of like the same thing. You want to be able to
maintain equal energies on both sides when you’re rolling. Literally,
regardless of what position you are in: The
wrist for the most part is lined up with each other for both arms. The
importance of equal energy, well it’s because of the inequalities of
the forward drill when doing chi sao, that your opponent can use that to
his advantage. |
|
| Tension vs. Energy | |
| One
of the most recurring problems when doing chi sao is differentiating
between tension and energy. When you use tension it involves muscle,
which reduces your sensitivity significantly. Thus, have you ever rolled
with someone who was really tense, then all of a sudden just pulled your
arm away from his. You'll notice when its tension the hand just stays
there doing nothing at all. But if it was energy, the hand automatically
shoots out towards you. That's the difference between the 2, and how you
can tell one from another. |
|
| Where's my centre? | |
| I'm sure everyone has done this before. Have someone do a bong sau and place it perfectly into the correct position, and then press against his bong sau. What you'll notice is how much force that the bong sau can take, with the opponent putting very little effort in dealing with the force. Now offset that bong by either moving it slightly left or right, let's just say about 1% of the centre line, and see the huge difference. Notice how easily it is to collapse his bong sau with very little pressure at all. Well, in chi sao its key to be aware of the centreline for everything that you do. | |
| More defense | |
| To
test the true skill of how good your defense is let your opponent
continually attack you. The more the better. |
|
|
What we aim to develop |
|
|
Sensitivity/Reaction
Skills Balance
Structure
and technique (stance and movements) Timing
and speed Control
of power and distance Clean
attacking, blocking, and trapping technique Good "bridging" skills, i.e. adhering to the opponent's forearms while delivering attacks and counter attacks to precise body targets at close range. |
|
| The Chi Sao techniques that we study from the Tai Chi Chuan Chi Sao System | |
| BEAU JEE SAO | SPEAR HAND/THRUSTING FINGERS |
| BONG SAO | WING HAND |
| CHUN SAO | SPADE HAND |
| CUP SAO | SCOOPING HAND |
| FAK SAO | WHISKING HAND |
| FOK SAO | BENT WRIST HAND |
| GUAN SAO | SPLITTING BLOCK |
| GUM GAO GIN SAO | GOLDEN SCISSOR HAND |
| GUM SAO | TRAPPING HAND |
| GWAI SAO | ELBOW HACKING HAND |
| HEUNG SAO | SHOULDER TRAP HAND |
| HUEN SAO | CIRCLING HANDS |
| JOM SAO | INWARD CHOPPING HAND |
| JUM SAO | SINKING ELBOWS |
| JUT SAO | JERKING HANDS |
| KAU SAO | HOOKING HANG |
| LAN SAO | BAR ARM |
| LAO SAP | SLIPPING HAND |
| LAP/LOP SAO | PULLING HAND |
| MAN GENG SAO | NECK PULLING HAND |
| MUN SAO | INQUISITIVE HAND |
| PAK SAO | SLAPPING HAND |
| PAI SAO | ELBOW HACKING HANDS |
| PO PAI SAO | DOUBLE PALM HANDS |
| SAT SAO | SLICING HANDS |
| TAN SAO | PALM UP HAND, FLIPPING, SLIDING, REVERSE, ROLLING |
| TOK SAO | ELBOW LIFTING HANDS |
| YIM SAO | SICKLE HAND |
| METHODS | ESSENCES |
| MUN SAO (ASKING HAND) | TING JING (LISTENING POWER) |
| JOU FAAT (RUNNING METHOD) | BOH JING (DEFLECTING POWER) |
| TAO FAAT (STEALING METHOD) | YING JING (DRAWING DIRECTION POWER) |
| JEET FAAT (INTERCEPTING METHOD) | NA JING (CONTROLLING POWER) |
| SIM FAAT (EVASION METHOD) | TZO JING (FOLLOWING POWER) |
| TOU FAAT (EXPELLING FORCE METHOD) | FA JING (EXPLOSIVE POWER) |
| JIE FAAT (BORROWING METHOD) | TEH JING (BORROWING POWER) |
| DAI FAAT (GUIDING METHOD)) | CHUEN JING (SHORT POWER) |
| FOU FAAT (FLOATING METHOD) | TI JING (UPROOTING POWER) |
| CHUM FAAT (COLLAPSING METHOD) | CHEN JING (SINKING POWER) |
| TUN FAAT (DISSOLVING METHOD) | HO JING (CLOSE UP POWER) |
| TOR FAAT (DRAGGING METHOD) | JEH JING (TWISTING POWER) |
| TUI FAAT (PUSHING METHOD) | DOW TIAO (VIBRATING BOUNCING POWER) |
| TUEN FAAT (BREAKING METHOD) | TUAN JING (INTERRUPTING POWER) |
| JIP FAAT (LINKING METHOD) | JEN JING (ROLLING POWER) |
| SAAT FAAT (FINISHING METHOD) | |